About the Show
Called “the master storyteller” by The New York Times, Mike Daisey spins tales both historically epic and caustically personal. His new comic monologue takes aim at one of our era’s best kept secrets: the history of the Department of Homeland Security. Weaving in the untold story of the father of the neutron bomb, Daisey illuminates a time when atomic fire rewrote history and ushered in an age of American supremacy. Combining eye-opening research and witty autobiography, he bores into the dark heart of America to discover the meaning of security and the price we are willing to pay for it.
“FUNNY, PROVOCATIVE, METICULOUSLY EMBROIDERED.
What this master story-spinner produces is pure value in streams of finely etched argument. Daisey guides us through a tale of paranoia, politics and paradox. Detailed, episodic and even poetic. ‘I’m a subversive person. I’m a bad person. I am a person of interest
’ declares Daisey, and on this last point,
certainly no one is going to contradict him.”
– Washington Post
“A SCATHING AND HILARIOUS CRITIQUE OF TODAY'S
WAR ON TERROR.
Leaves the audience in gut-busting
laughter with the residual "gawd, this is so fucked up"
feeling that permeates the entire show...
MUST-SEE offering from the Fringe”
Who knew that traipsing through the past six decades of America's security culture could be so engrossing? AN ABSORBING, IMPRESSIONISTIC SOLO PERFORMANCE.”
|Mike Daisey in Invincible Summer.
Mike’s show created such a stir at the American Repertory Theatre that it was interrupted by school chaperones (or “anti-art terrorists,” as public radio’s Sound of Young America called them).
This engagement of Mike Daisey is a DC Performing Arts Presenters Initiative project, which is made possible through funding by the DC Commission on the Arts and Humanities, Mid Atlantic Arts Foundation, and the National Endowment for the Arts Regional Touring Program.
MIKE DAISEY(Creator and Performer) has been called “the master storyteller” and “one of the finest solo performers of his generation” by the New York Times for his groundbreaking monologues which weave together autobiography, gonzo journalism, and unscripted performance to tell hilarious and heartbreaking stories that cut to the bone, exposing secret histories and unexpected connections. His monologues include last season’s critically acclaimed If You See Something Say Something, the controversial How Theater Failed America, the six-hour epic Great Men of Genius, the unrepeatable series All Stories Are Fiction, and the international sensation 21 Dog Years. Over the last decade he has brought his work to venues including the Public Theater, the Cherry Lane Theater, the Barrow Street Theatre, Yale Repertory Theater, the Spoleto Festival, American Repertory Theatre, Woolly Mammoth Theatre Company, Center Theater Group, Berkeley Repertory Theatre, the Noorderzon Festival, the Portland Institute for Contemporary Art, Perseverance Theatre, Chicago’s Museum of Contemporary Art, Intiman Theatre, the Under the Radar Festival, Melbourne’s Victorian College of the Arts, Performance Space 122, and many more. He’s been a guest on the Late Show with David Letterman, as well as a commentator and contributor to Studio 360, WIRED, Vanity Fair, Slate, Salon, WNYC and the BBC. His first film, Layover, was shown at the Cannes Film Festival this year, and a feature film of his monologue If You See Something Say Something will be released next year. His first book, 21 Dog Years: A Cubedweller’s Tale, was published by the Free Press and his second book, a collected anthology of his monologues, will be published by TCG in the fall of 2010. He has been nominated for the Outer Critics Circle Award, two Drama League Awards, and has been the recipient of the Bay Area Critics Circle Award, four Seattle Times Footlight Awards, the EST/Sloan Galileo Prize, and a MacDowell Fellowship.
JEAN-MICHELE GREGORY(Director) works as a director, editor, and dramaturg, focusing on unscripted, extemporaneous theatrical works that live in the moment they are told. Working primarily with solo artists, for the last decade she has collaborated with monologist Mike Daisey, directing at venues across the globe including the Public Theater, the Barrow Street Theatre, the Cherry Lane Theater, Center Theater Group, the Under the Radar Festival, Yale Repertory Theatre, Woolly Mammoth Theatre Company, Chicago’s Museum for Contemporary Art, American Repertory Theatre, the Spoleto Festival, Berkeley Repertory Theatre, the Noorderzon Festival, Intiman Theatre, ACT Theatre, Performance Space 122, the T:BA Festival, and many more. She also works with New York storyteller Martin Dockery (Wanderlust, The Surprise) and the Seattle-based performer and writer Suzanne Morrison (Yoga Bitch, Your Own Personal Alcatraz). Her productions have received three Seattle Times Footlight Awards (21 Dog Years, The Ugly American, Monopoly!), the Bay Area Critics Circle Award (Great Men of Genius), and nominations from the Drama League and Outer Critics Circle (If You See Something Say Something).
Schedule & Prices
July 11 – 20, 2008
- Friday, July 11, 8pm
- Saturday, July 12, 8pm
- Sunday, July 13, 4pm (includes post-show discussion)
- Tuesday, July 15, 8pm (includes post-show discussion)
- Wednesday, July 16, 8pm
- Thursday, July 17, 8pm (includes post-show discussion)
- Friday, July 18, 8pm
- Saturday, July 19, 4pm
- Saturday, July 19, 8pm
- Sunday, July 20, 4pm
ADDITIONAL DATES JUST ADDED:
- Tuesday, July 22, 8pm
- Wednesday, July 23, 8pm
- NO PERFORMANCE Thursday, July 24
- Friday, July 25, 8pm
- Saturday, July 26, 4pm
- Saturday, July 26, 8pm
All seats $20!
Directions & Parking
641 D Street, NW
View Larger Map
Washington, DC 20004
Woolly Mammoth is located in the bustling Penn Quarter neighborhood on D Street between Oyamel and Rasika restaurants, around the corner from TicketPlace, and down the street from Shakespeare Theatre Company's Lansburgh theatre. We are two blocks north of the National Archives and National Gallery of Art and two blocks south of the Verizon Center and the Smithsonian American Art Museum/Portrait Gallery.
- Take the Yellow or Green line to Archives-Navy Memorial-Penn Quarter. Get off at 7th Street and Indiana Avenue, walk up 7th Street about a block, turn right on D Street, and you will see us.
- Take the Red, Yellow, or Green lines to Gallery Place-Chinatown. Get off at the 7th and F Street exit, walk two blocks down 7th Street (toward The National Museum of Crime and Punishment), and turn left onto D Street, you will see us immediately on your left.
- Check train schedules here
- The 70, 71, D1, D3, and D6 buses stop at the corner of 7th Street and E Street. Get off of the bus, walk south on 7th Street (toward Jaleo), continue 1 block and turn left on D Street, we are immediately on your left.
- The P1, P2, P6, 13A, 13B, 13F, 13G, and 54 buses stop at 7th Street & Pennsylvania Ave. Head north on 7th Street toward Indiana Ave. (you will see the Metro stop for Archives-Navy Memorial-Penn Quarter-Gallery Place). Walk about 2 blocks and turn right onto D Street, we are on the left.
- Not all of these buses have the same route for both directions, so please use WMATA's Trip Planner here.
There is limited metered street parking in the Penn Quarter near Woolly Mammoth, in addition to the following parking garages:
- LAZ, 325 7th St. NW (entrance is on D Street, directly across from the theatre). Open late during Woolly productions, $10 evening rate when you mention you’re going to Woolly.
Mobility-impaired patrons, please be aware: LAZ shuts off its elevators on the weekends. Mobility-impaired patrons who wish to use this garage should ask the attendant to park their car in the garage for them. Other options include the Interpark garage at 616 E St. NW which offers an elevator that lets out onto 7th St. opposite The Shakespeare Theatre.
- Interpark, 616 E St NW. Open until 11pm Sunday - Friday and 1am Saturday, $9/hour (maximum $20).
- Interpark Liberty Place, 325 7th St. NW. Open late during Woolly productions.
- Colonial Parking, 601 Pennsylvania Ave (entrance at 6th & C). Open until midnight Monday - Saturday and until 11 pm Sunday, $10 flat evening and weekend rate.*
Garage prices and hours subject to change without notice
From Virginia via I-395: When crossing the river bear left towards the 14th Street exit. Follow 14th Street, until Constitution Avenue and take a right. Turn left on 6th Street and another left onto D Street NW. (Note, earlier directions indicated the 12th Street Exit, which is currently closed for construction.)
From Virginia via I-66: Take I-66 into the District when it becomes US-50. Turn left onto 7th St NW. Turn right onto D St NW.
From Bethesda, Rockville, Potomac and points west: Reach Wisconsin Ave., NW via either Interstate 270 and River Road or Rockville Pike (which becomes Wisconsin Ave.) Remain on Wisconsin Ave. until reaching Massachusetts Ave., NW just south of the National Cathedral. Take Massachusetts all the way to 9th St. Turn right on 9th. Turn left on D St.
From Rt. 50, Baltimore and points east: Reach New York Ave., NE via either Rt. 50, I95 or the Baltimore Washington Parkway. Remain on New York Ave. all the way downtown to 6th St., NW. Turn left on 6th St. Turn right on D St.
Mike Daisey, photo by Ursa Waz
Part of the:
Woolly Mammoth would like to thank the following patrons for their generous support of If You See Something Say Something:
Shannon & Michael Alford
Miriam J. Cutler & Paul Salditt
Scott & Evelyn Schreiber